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I always believed that my work should be unfinished in the sense that I encourage people to add their creativity to it, either conceptually or physically. Back in the 1960s, I was calling for 'Unfinished Music,' number one, and number two, with my artwork - I was taking unfinished work into the gallery. And that's how I was looking at it.

I always believed that WikiLeaks as a concept would perform a global role, and to some degree it was clear that it was doing that as far back as 2007 when it changed the result of the Kenyan general election.