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'Greek Street' is a very strange beast. I think of it as 'The Long Good Friday' meets 'Agamemnon.' A way of using those fantastically rich stories from Greek tragedy to take a look at our world and to explore some of the things I think about this world.

Green Arrow has gone through so many changes; he's been right-wing, he's been left-wing, he's been rich, he's been poor, he's been a social justice guy, then when I got him, he was a rich playboy guy. So it was a lot harder to get into a character that has so many personas in the past, and I just looked at his anger.

Green Arrow was a very complicated character to take on because he has archaic weaponry. Catwoman, I think is more of a simple archetype to grasp, so it will be about nuance. But I think you need three or four issues before you say, 'Ah ha! Now I really know how to write this character!' You're carrying them around with you.

'Green' cannot be allowed to become an excuse for stealth taxes. And nor should 'green taxes' be about punishment. Instead, they should represent a switch of emphasis. So if domestic flights are taxed, it should be on the absolute condition that the money is ploughed into improving the alternatives, such as trains.

Green chemistry is replacing our industrial chemistry with nature's recipe book. It's not easy, because life uses only a subset of the elements in the periodic table. And we use all of them, even the toxic ones.