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When I was producing on my own, I was doing it in order to - in a very patriarchal entertainment industry, let alone planet - very much hell-bent on trying to prove to myself, if nothing else, that I could do it as a woman.

When I was prosecutor we had truancy and curfew issues and we made a refrigerator magnet, and that was hot with parents. They loved putting it up on the wall and saying, you know, if you don't follow these rules, you could get prosecuted. Whether or not it actually happens, it changes a culture, and that's part of what we're trying to do here.

When I was racing, I had learned that you can't set stock in public adoration or your press clippings. By the time I was 26, I'd heard crowds of 100,000 scream my name, but a week later they couldn't remember who I was. You're a hero today and a bum tomorrow - hero to zero, I sometimes say.

When I was reading books for 'Seesaw Girl,' I came across several references to the fact that in the 11th and 12th centuries, Korean pottery was considered the finest in the world. I liked that - the idea of a little tiny country being the best at something.