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I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'

I had written two or three books before my husband noticed that in every one of them a family member was missing. He suggested that it was because my father's death, when I was five, utterly changed my world. I can only suppose he is right and that this is the reason I am drawn to a narrative where someone's life is changed by loss.

I had years of therapy to recover from this. A lot of it had to with being a people pleaser, being the ultimate good girl. I wanted everyone to like me. I didn't really have a voice. I was afraid of growing up.

I hadn't accepted he was seriously ill. The idea that someone so close to you couldn't wake up was utterly incomprehensible. Then the doctor came in... Maurice had no brain left. There wasn't any activity at all.