I didn't want it to be a book that made pronouncements. Penelope Lively bookmakepronouncement Change image and share on social
Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present. Penelope Lively collectiveendlessequally Change image and share on social
The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard. Penelope Lively bombconcerncupboard Change image and share on social
I didn't think I had anything particular to say, but I thought I might have something to say to children. Penelope Lively childthink Change image and share on social
Every novel generates its own climate, when you get going. Penelope Lively climategenerate Change image and share on social
I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement. Penelope Lively ancientdriveenglish share on social
It seems to me that everything that happens to us is a disconcerting mix of choice and contingency. Penelope Lively choicecontingencydisconcert Change image and share on social
The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form. Penelope Lively alternativeapproachcharacter Change image and share on social
I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not. Penelope Lively 1950sabsolutelychange share on social
