The 1980s really ended for me in 1992 with the film Kika. Pedro Almodovar 1980sendfilm Change image and share on social
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual. Pedro Almodovar actorapparentlymovie Change image and share on social
My first memory is of the eyes of my brother; he was looking at me all the time. Pedro Almodovar brothereyememory Change image and share on social
My mother was an extremely creative woman, despite the fact that she lived the life of a rural housewife. Pedro Almodovar creativeextremelyfact Change image and share on social
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images. Pedro Almodovar audiencebreakchallenge share on social
I used this line to demonstrate how important colors are in movies: It's not a caprice. Pedro Almodovar capricecolordemonstrate Change image and share on social
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion. Pedro Almodovar burlesquecomicemotion share on social
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story. Pedro Almodovar chooseelementfilm Change image and share on social
I think my films are always political, even if I don't put explicitly political things in them. Pedro Almodovar explicitlyfilmpolitical Change image and share on social
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you. Pedro Almodovar bringcameraclothe Change image and share on social