Jazz is not something that can be defined through blunt instruments. It is much more poetic than that. Pat Metheny bluntdefineinstrument Change image and share on social
One of the things jazz has always excelled at is translating the reality of the times through its musical prism. Pat Metheny exceljazzmusical Change image and share on social
I'm triggering acoustic instruments. I'm literally beating, smacking, hitting, blowing, doing physical things. It's an incredibly exciting way to make music. Pat Metheny acousticbeatblow Change image and share on social
I think I represent a more left-wing view of what jazz is. Pat Metheny jazzleaverepresent Change image and share on social
I'm always inspired when there's a robustness to the material in front of me. Pat Metheny frontinspirematerial Change image and share on social
I didn't want there to be a computer on stage. When I see people with computers on stage, I think, 'Are you sending e-mail?' That's so corny. Pat Metheny computercornymail Change image and share on social
From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles. Pat Metheny beatlescultureguitar Change image and share on social
For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around. Pat Metheny actualbuildclassical share on social
Someone who knew me when I was 14 said I was the oldest 14-year-old on the planet. Now I'm a 14-year-old who is 60. Pat Metheny knowoldplanet Change image and share on social
If we are going to list guitar influences, the biggest one by far is Wes Montgomery. Also, Gary Burton was obviously huge for me in a number of ways. But beyond that, Clifford Brown, Miles Davis and Freddie Hubbard. Pat Metheny bigbrownburton share on social