In my own life, I believe it was an early education in poetical metaphor that helped me to grapple with and make sense of all the difficult and traumatic things that were to come. Natasha Trethewey difficultearlyeducation Change image and share on social
Even as I think of myself as a 'rememberer,' I also know my memory is probably doing all this work to reconstruct a narrative where I come off better. Natasha Trethewey memorynarrativereconstruct Change image and share on social
I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different. Natasha Trethewey adolescentbiracialblack share on social
Isolated and unincorporated, North Gulfport lacked a basic infrastructure: flooding and contaminated drinking water were frequent problems. Although finally incorporated in 1994 - not long after the arrival of the first casino - many of North Gulfport's streets still lack curbs, sidewalks, and gutters. Natasha Trethewey arrivalbasiccasino share on social
I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that. Natasha Trethewey backbellocqcircle share on social
It's so necessary to try and record the cultural memory of people. To set it down for generations to come. To better understand where we are headed. The problem is, a good portion of what we choose to remember is about willed forgetting. Which we all do, I believe, to protect ourselves from what is too difficult. Natasha Trethewey chooseculturaldifficult share on social
My father, Eric Trethewey, is a poet, so I had one right inside the house. And on long trips, he'd tell me, if I got bored in the car, to write a poem about it. And I did find that poetry was a way for me, I think as it for a lot of people, to articulate those things that seem hardest to say. Natasha Trethewey articulateborecar share on social
On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building. Natasha Trethewey archivebuildcollection share on social
'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions. Natasha Trethewey decisionelegiacgrapple share on social
My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, 'Give and Take,' was about my Aunt Sugar, how I was losing her to her memory loss. Natasha Trethewey auntbeginearly share on social