There's something sort of intrinsic in being a Southerner that doesn't go away. You can't get rid of it, but it's not something that's terribly obvious. Natalie Zea intrinsicobviousrid Change image and share on social
I won't name any names, but I've done a couple of shows where once the pilot got picked up, the creators openly said, 'I have no idea where we're going.' Natalie Zea couplecreatorhave Change image and share on social
I think television scripts have become really intriguing and well-done. And writers have stopped drawing any actual line between film and television they used to never cross. Natalie Zea actualcrossdraw Change image and share on social
I think, especially when you're on TV, once you become associated with one genre or the other, it's near impossible to break into the other one, even if you have experience with both. Natalie Zea breakexperiencegenre Change image and share on social
I'm drawn to the romantic aspect of a character. It's human emotion. It's much more fun to watch. And it's much more fun to play. Natalie Zea aspectcharacterdraw Change image and share on social
I think every major character I've played was originally for an older woman. I have no idea what that says. I guess I'm mature for my age. Natalie Zea agecharacterguess Change image and share on social
I don't know that I could play a complete and total mess. After awhile, I think I would be like, 'No, none of that!' Natalie Zea awhilecompletemes Change image and share on social
There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it. Natalie Zea archetypeauracall share on social
I just feel like the days of a handful of executives making the decisions for the entirety of the human public have gone on long enough. Natalie Zea daydecisionentirety Change image and share on social
