My mother was a single parent, a speech therapist who worked for a company that kept a substantial percentage of the income they billed for her to teach stroke victims in convalescent hospitals to talk again. Mona Simpson billcompanyconvalescent share on social
I didn't know much about computers. I still worked on a manual Olivetti typewriter. Mona Simpson computermanualolivetti Change image and share on social
'Casebook' is my attempt at a love story. I had a vision of a difficult love. Mona Simpson attemptcasebookdifficult Change image and share on social
I grew up with a single mother, and although we didn't have a lot of money, she cared a great deal about what we ate. We were the original health-food family. We shopped at what were called health-food stores before Whole Foods - everything came from bins. Mona Simpson bincallcare share on social
In my 30s, I wrote in the back house of a ramshackle Spanish Revival we rented across from the ocean in the Santa Monica Canyon. I wrote thousands of pages there, but in order to see another adult human being, I had to steal out through the brambly side of the house, along the driveway down to the street. Mona Simpson 30sadultback share on social
Writers collect stories of rituals: John Cheever putting on a jacket and tie to go down to the basement, where he kept a desk near the boiler room. Keats buttoning up his clean white shirt to write in, after work. Mona Simpson basementboilerbutton share on social
I suppose 'My Hollywood' is only as politically meaningful as it is deeply inside the least powerful of its characters. I wanted it to reveal scenes of subtle exploitation, odd instances of accidental power and challenges to decency specific to its time, but also impulses of generosity that transcend our particular era's messes. Mona Simpson accidentalchallengecharacter share on social
Instead of a dedicated room, my best trigger is the actual habit of reading over the texts from the day before. Marking. Changing. Fussing. This ritual amounts to a habit of trust. Trust that I can make it better. That if I keep trying, I will come closer to something true. Mona Simpson actualamountchange share on social
I've never had an exclusive relationship to a room where I write. I used to want one. Mona Simpson exclusivehaverelationship Change image and share on social
Often, I think, displaced people imagine themselves leading double lives. So a portion of my identity has always been privately siphoned into what would have been if I had stayed in Wisconsin. Mona Simpson displacedoubleidentity Change image and share on social