Top 99 Quotes by Misty Copeland

'The Firebird' just symbolizes a lot for me and my career. It was one of the first really big principal roles that I was ever given an opportunity to dance with American Ballet Theatre, and it was a huge step for the African-American community, I think, within the classical ballet world.

I didn't want to be the best at anything; I just wanted to blend in. And that was kind of my existence throughout my family experiences at home of just kind of blending in in the background through my other siblings, which was easy to do.

A young girl reached out to me to be her mentor one day, which I didn't really know anything about. What I did remember was what it was to be alone as an African-American dancer in the ballet world and wanting to connect with someone who looks like me.

I was seventeen when I moved to New York. I was nineteen when I joined the main company. I was going through a lot. Just becoming an adult and just wanting to fit in, be accepted, and be in common with the other dancers.

Once you become a professional, to get through a ballet like 'Swan Lake' - four acts as the lead, changing character - the perseverance is incredible. It takes a lot to make it through and keep the same energy throughout the entire performance.

'The Company' was interesting. I didn't love it, although it might be compelling to someone who isn't a dancer. There wasn't a lot of dialogue, and you were just kind of observing the creative process of choreography and in class.