They are representations of many shared hours of collaboration between us all. That's the real nature of the relationship the orchestra and I are trying to build. Michael Tilson Thomas buildcollaborationhour Change image and share on social
When I first was conducting as guest conductor in Europe 25 years ago, I would propose doing American pieces and grudgingly it would be accepted from time to time. Michael Tilson Thomas acceptagoamerican Change image and share on social
The first year I started in San Francisco, there was an American work on every program and there's been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me. Michael Tilson Thomas americanaudiencecomposer share on social
You know, they were returning to the language of the people and trying to use musical language, particularly as Copland did to create a musical language in which all Americans would feel that they had a stake. Michael Tilson Thomas americancoplandcreate share on social