Music is always key to me, whether it's 'Miami Vice' or not 'Miami Vice.' It's dictated by the story, about what Crockett and Tubbs and Isabella and Trudy are doing. Michael Mann crockettdictateisabella Change image and share on social
What I try to do - I mean 'try,' because you don't get there all the time - is to have impact with content. It's those moments in which you're trying to bring people beyond filmed theater. If I have an ambition, it's that. Michael Mann ambitionbringcontent share on social
I like change. I don't like being in the same room for too long. Michael Mann changelongroom Change image and share on social
We take safety very, very seriously on every film I make, and that's why I've never had a serious accident or anybody killed when I make a picture. Michael Mann accidentfilmhave Change image and share on social
Could I have worked under a system where there were Draconian controls on my creativity, meaning budget, time, script choices, etc.? Definitely not. I would have fared poorly under the old studio system that guys like Howard Hawks did so well in. I cannot. Michael Mann budgetchoicecontrol share on social
We bring our preparation to the table, and opportunity may present itself, and if you are well prepared, you can seize opportunity and then maybe something good happens, and you call that luck. Michael Mann bringcallgood Change image and share on social
There's a tired notion that the photojournalist has to be disengaged to be able to shoot what he shoots, and that's such a cliched idea of what the experience is. Of course they're engaged, and they're not distanced. Michael Mann clichdisengagedistance share on social
Suffice it to say, every actor works differently. Laurence Olivier would put on his costume and when the wardrobe was right, he was in character. That sounds superficial, but it's true, and look at the results. Michael Mann actorcharactercostume share on social
Everything we do on 'Luck' is absolutely no different than if we'd had been doing it in a feature film. There's no short cuts. The specificity of what every single line might mean. Everything Dustin Hoffman does. Kevin Dunn is as authentic in the last scene of the last episode as he is in the first scene of the first episode. Michael Mann absolutelyauthenticcut share on social
Digital makes things feel more real, like you could reach out and touch them. Michael Mann digitalfeelmake Change image and share on social