Top 150 Quotes by Michael Leunig

So few humans seem to fully exist themselves that I wonder if all this endless speculation and haggling about God is really an exploration of a more interesting and embarrassing question about ourselves.

As a child, I heard many warnings from teachers about the perils of talking with strangers. Yet now, fairly late in my life, I can think of not many things better than to talk with strangers. The idea of being a stranger is also very appealing.

Where do I get my information from? Well, I get it from the radio, and I get it from the newspaper, and then I get it from my conversations, and I get it from the paddocks around the bush. I get it; it turns up. You'd be most surprised how it turns up.

There's a particular sensitivity required to be an artist, and a certain vulnerability, perhaps, and also, somewhere between, you're in your body a lot, too. It's much more physical than one would imagine because I think it's the body where the imagination lives somehow. I do feel the imagination isn't just in the brain up there.

We might imagine that Jesus had many human faults. He failed most humanly, in my reckoning, when he killed the fig tree just because it didn't bear any figs for his breakfast; that was a disgraceful, bad-tempered thing to do, and to try and make a virtue of it by saying it was a demonstration of faith only made things worse.

As a cartoonist, I am not interested in defending the dominant, the powerful, the well-resourced and the well-armed because such groups are usually not in need of advocacy, moral support or sympathetic understanding; they have already organised sufficient publicity for themselves and prosecute their points of view with great efficiency.

I have always loved contemporary dance, but it has always been a bit of a mystery to me. But choreography is very much like what I do when you are putting characters in frame on the page. It's so impressive what they do with their bodies. It's like painting: an abstraction.