A feature film is twenty-four lies per second. Michael Haneke featurefilmlie Change image and share on social
As a private person, professionally I am invisible. Michael Haneke invisiblepersonprivate Change image and share on social
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you. Michael Haneke actoratmospherebag share on social
I'm not someone who enjoys long talks, long rehearsals. I'm very technical: I tell my actors, you come in, you sit down, you pick up a coffee, you look here, you say the line. We try it with the cameras rolling, and if it doesn't work, we adjust it until it does. It's very simple. Michael Haneke actoradjustcamera share on social
I never suffered from the absence of a father. On the contrary, as a child I was more inclined to see men as a disturbing factor. It made things difficult for me when I started working as a director. Michael Haneke absencechildcontrary Change image and share on social
'The White Ribbon' had to be in German because of the subject matter, that was clear. But in the case of 'Amour,' it could have taken place in any country. Michael Haneke amourcaseclear Change image and share on social
It's harder to write a story with just two people in a room than with 50 characters. Michael Haneke characterhardpeople Change image and share on social
I've never let producers tell me what to do. Even when I was making television, I always did what I wanted to do, and if I couldn't, I didn't do it. It was a freedom that, these days, young directors starting out don't have. Michael Haneke daydirectorfreedom share on social
I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug. Michael Haneke affectaimart share on social