The freeways create economic and racial borders in Los Angeles. South of Interstate 10 is one group of people, west of the 10 another, and south of the 405 North yet another. Mark Bradford angelesbordercreate Change image and share on social
I look at art as a container. You can't get inside it, so you have to ask all of these questions. Mark Bradford artcontainerinside Change image and share on social
I've always been inspired by small details that make me wander. My mother would ask me, 'What are you looking at so intensely?' I would answer, 'Everything and nothing.' She really supported my wanderings, called me Marco Polo. Mark Bradford answercalldetail share on social
I don't know why so many artists talk about the mainstream's problems from the fringe. I think, unfortunately, it's almost like our education makes us too safe and terrified to step into the world. Mark Bradford artisteducationfringe Change image and share on social
I'm kind of an insecure artist. I hop from piece to piece. I always think my life depends on every painting. Every painting is my first painting. Mark Bradford artistdependhop Change image and share on social
At the end of the day, I'm an artist. I may make work and decide to do something political, but it will come out of an artist's position. It won't come out of society telling me I have to. If I do, it's because I choose, as an artist, to do it. Mark Bradford artistchooseday share on social
I don't look at things in black and white. There are big gray areas. There's a lot of slippage. Mark Bradford areabigblack Change image and share on social
My mom was an orphan, and there was never anybody to tell her what she could or couldn't do. At the core, she's probably an artist - an artist and a feminist. Mark Bradford artistcorefeminist Change image and share on social
In the neighborhood where my studio is, in South Central Los Angeles, there are a lot of immigrant-owned businesses. I'm constantly amazed at the level of work they do. It's above anything. For me, I think I pattern myself on that work ethic. Mark Bradford amazeangelesbusiness share on social
I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together? Mark Bradford artfunnyhistory share on social