The police pull up in back of my car and run my plates - they don't see you as you are; they see you through a racialized negative gaze. I think the best thing is not to internalize it too much, or it'll make you crazy because you know it's going to happen again. Mark Bradford backcarcrazy share on social
That's how I make work. Along the way, I take notes, I read about history and popular culture. Sometimes I act out things in the studio. I go back to my mother's hair salon so I can hear three voices going all at once. I pull inspiration from everything. Mark Bradford actbackculture share on social
About the time I was 7, I got really into black-exploitation films, so I made my own Wonder Woman, but I made her black. Mark Bradford blackexploitationfilm Change image and share on social
The funny thing about being creative is that, especially high school people, I kept noticing I'd always go to these certain materials. I'd always be picking up trash and picking up paper and using it. Mark Bradford creativefunnyhigh Change image and share on social
The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive. As a citizen, you have to participate in that every day. You have to walk by until it's changed. Mark Bradford advertiseaggressivechange share on social
I've always been inspired by small details that make me wander. My mother would ask me, 'What are you looking at so intensely?' I would answer, 'Everything and nothing.' She really supported my wanderings, called me Marco Polo. Mark Bradford answercalldetail share on social
I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together? Mark Bradford artfunnyhistory share on social
I don't know why so many artists talk about the mainstream's problems from the fringe. I think, unfortunately, it's almost like our education makes us too safe and terrified to step into the world. Mark Bradford artisteducationfringe Change image and share on social
Everything I do has an underlying political question. Mark Bradford politicalquestionunderlie Change image and share on social
When you're as tall as I am, you have no public privacy. People are constantly coming up and talking to you. Constantly. You have one of two ways to go: you engage with people, or you become really bitter. I choose to engage. Mark Bradford bitterchoosecome share on social