I am fully present wherever I am. Why bother being in a community or neighborhood and not being fully present? I think that's colonization. I'm not interested in that. Mark Bradford bothercolonizationcommunity Change image and share on social
When I was thirteen, I was in a supermarket with my mother, and for no reason at all, I picked up a science-fiction book at the checkout stand and started reading it. I couldn't believe I was doing that, actually reading a book. And, man, it opened up a whole new thing. Reading became the sparkplug of my imagination. Mark Bradford bookcheckoutfiction share on social
The police pull up in back of my car and run my plates - they don't see you as you are; they see you through a racialized negative gaze. I think the best thing is not to internalize it too much, or it'll make you crazy because you know it's going to happen again. Mark Bradford backcarcrazy share on social
I don't know why so many artists talk about the mainstream's problems from the fringe. I think, unfortunately, it's almost like our education makes us too safe and terrified to step into the world. Mark Bradford artisteducationfringe Change image and share on social
At the end of the day, I'm an artist. I may make work and decide to do something political, but it will come out of an artist's position. It won't come out of society telling me I have to. If I do, it's because I choose, as an artist, to do it. Mark Bradford artistchooseday share on social
I'm kind of an insecure artist. I hop from piece to piece. I always think my life depends on every painting. Every painting is my first painting. Mark Bradford artistdependhop Change image and share on social
The freeways create economic and racial borders in Los Angeles. South of Interstate 10 is one group of people, west of the 10 another, and south of the 405 North yet another. Mark Bradford angelesbordercreate Change image and share on social
I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together? Mark Bradford artfunnyhistory share on social
I don't look at things in black and white. There are big gray areas. There's a lot of slippage. Mark Bradford areabigblack Change image and share on social
My mom was an orphan, and there was never anybody to tell her what she could or couldn't do. At the core, she's probably an artist - an artist and a feminist. Mark Bradford artistcorefeminist Change image and share on social