From a purely ethnological point of view, I was not a period-born Dada. Marcel Duchamp beardadaethnological Change image and share on social
Living is more a question of what one spends than what one makes. Marcel Duchamp livemakequestion Change image and share on social
What would I do with money? I have enough for my needs. I don't want any more. If I had a lot, I would have to care for it, worry about it. Marcel Duchamp carelotmoney Change image and share on social
Things were sort of Bohemian in Montmartre - one lived, one painted, one was a painter - all that doesn't mean anything, fundamentally. Marcel Duchamp bohemianfundamentallylive Change image and share on social
Since Courbet, it's been believed that painting is addressed to the retina. That was everyone's error. The retinal shudder! Before, painting had other functions: it could be religious, philosophical, moral... our whole century is completely retinal, except for the Surrealists, who tried to go outside it somewhat. Marcel Duchamp addressbelievecentury share on social
Humor and laughter - not necessarily derogatory derision - are my pet tools. This may come from my general philosophy of never taking the world too seriously - for fear of dying of boredom. Marcel Duchamp boredomderisionderogatory Change image and share on social
The individual - man as a man, man as a brain, if you like - interests me more than what he makes because I've noticed that most artists only repeat themselves. Marcel Duchamp artistbrainhave Change image and share on social
Since the tubes of paint used by the artist are manufactured and ready-made products, we must conclude that all the paintings in the world are 'ready-mades aided' and also works of assemblage. Marcel Duchamp aidartistassemblage Change image and share on social
You have to approach something with indifference, as if you had no aesthetic emotion. The choice of readymades is always based on visual indifference and, at the same time, on the total absence of good or bad taste. Marcel Duchamp absenceaestheticapproach share on social
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end. Marcel Duchamp abandonalienanti share on social