For 'Picture This,' I wanted it to be a drawing book that didn't have any instructions about drawing, beyond the real simple stuff you'd find like in a Bazooka bubblegum wrapper, or in 'Highlights' magazine. I just wanted it to be feelings about looking and seeing and pictures. Lynda Barry bazookabookbubblegum share on social
I believe a kid who is playing is not alone. There is something brought alive during play, and this something, when played with, seems to play back. Lynda Barry alivebackbring Change image and share on social
Humor is such a wonderful thing, helping you realize what a fool you are but how beautiful that is at the same time. Lynda Barry beautifulfoolhelp Change image and share on social
It's one thing to have a relationship, to lay your hands on it, and another to make it continue and last. That's something I haven't talked about much in my comic strips, and it's certainly something I'm interested in. Lynda Barry comiccontinuehand share on social
In my writing class, we never, ever talk about the writing - ever. We never address a story that's been read. I also won't let anyone look at the person who's reading. No eye contact; everybody has to draw a spiral. And I would like to do a drawing class where we could talk about anything except for the drawing. No one could even mention it. Lynda Barry addressclasscontact share on social
If I had had me for a student I would have thrown me out of class immediately. Lynda Barry classimmediatelystudent Change image and share on social
We don't create a fantasy world to escape reality. We create it to be able to stay. Lynda Barry createescapefantasy Change image and share on social
I tried to be like the richer kids as much as I could because I wanted to live on their streets, at least hang out on their streets and eat their amazing food and walk barefoot on their shag carpets. I became something of a pest in that way, and in general, other people's parents didn't like me. Lynda Barry amazebarefootcarpet share on social
The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead. Lynda Barry deadendfelt Change image and share on social
'What It Is' was based on this class I've been teaching for 10 years - I wanted to write a book about writing that didn't mention stuff like story structure, protagonists, and all those things that we know about only because they already exist in stories. Lynda Barry basebookclass share on social