My work is really abject and self-effacing sometimes. I mean, it's big and overwrought, but it's just paper dolls, and it's kind of silly. Kara Walker abjectbigdoll Change image and share on social
I have no interest in making a work that doesn't elicit a feeling. Kara Walker elicitfeltinterest Change image and share on social
I never learned how to be adequately black. I never learned how to be black at all. Kara Walker adequatelyblacklearn Change image and share on social
I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society. Kara Walker adolescencebitecontemporary share on social
The illusion is that most of my work is simply about past events: a point in history and nothing else. Kara Walker eventhistoryillusion Change image and share on social
I trust my hand. If I go into a space with a roll of paper, I can make a work, some kind of work, and feel pretty satisfied. Kara Walker feelhandkind Change image and share on social
Once you open up the Pandora's box of race and gender... you're never done. Kara Walker boxgenderopen Change image and share on social
I'm a sponge for historical images of black people and black history on film. Kara Walker blackfilmhistorical Change image and share on social
I really love to make sweeping historical gestures that are like little illustrations of novels. Kara Walker gesturehistoricalillustration Change image and share on social
There is something very strange and unsettling for me about making a work that doesn't fit with what's the norm or what's acceptable. There's something both liberating about it and challenging. I can imagine it doing more harm than good. Kara Walker acceptablechallengefit share on social