Top 80 Quotes by Julia Stiles

I went to a Chekhov play with my grandmother, and at the end, I was talking about how the first act was so boring. And my grandmother didn't see that at all. I realized it was because I need, like, the constant images changing. I wrote a paper about this.

It would probably help my career if I lived in L.A., but I think it would be all-consuming. New York has its own little rat race going on, too. But it's also really diverse and has a lot of people doing different kinds of jobs. In L.A., work would be the only thing I'd think about, and sometimes, I need a break from that.

One of the wonderful things about 'Jason Bourne' and that franchise is getting to work the same people sporadically and over the course of many years. I'm not so keen on having to get to know a whole group of people.

I was gonna throw the first pitch at a Mets game, but there was a rain delay. So I'm waiting for it to stop, and the team's manager, Willie Randolph, comes by. Now he's already intimidating to begin with. But he comes over to me and says, 'If you screw this up, they will boo you.' And I said 'Thanks.'

It's actually really great to be a student and an actor, because I get to do this job that I love, then just when I think my head might explode, I get to go to school where they don't really care about what magazine cover I'm on.

At the heart of any drama, there's conflict. When you are acting, you get to play out the confrontations you want to have in real life but can't. Or the emotions that you would want to have in real life, but sometimes they are too difficult.

On 'Silver Linings Playbook,' David O. Russell is the master at getting his actors to give him something that he doesn't expect. He loves to keep things spontaneous. He talks to the actors throughout a take because, in real life, you don't know what the next person is going to say; you don't know when you're going to get interrupted.