I tell my audiences today that I served 10 years in Nashville! That's a joke, of course; I was grateful for the work. Bob Ferguson, who produced Connie Smith, Porter Wagoner and Dolly Parton, started calling me in. Johnny Gimble audiencebobcall share on social
I keep a fiddle hooked up in the music - we've got a music room - and try to pick it up. Johnny Gimble fiddlehavehook Change image and share on social
The magic, that's what keeps you playing. That's what never wears off. Johnny Gimble magicplaywear Change image and share on social
When I was 15, I was working for a radio band in Shreveport. Cliff Bruner, the hottest Texas fiddler of them all, was on the same package shows, playing for Jimmie Davis. Johnny Gimble bandbrunercliff Change image and share on social
I asked the man on the phone from the National Endowment for the Arts what this fellowship entailed, and he said, 'Well, first there's $10,000.' I asked him, 'Can I pay it in installments?' Johnny Gimble 000artask Change image and share on social
My dad was a telegraph operator for the Cotton Belt Railroad. He worked seven nights a week from 4 until midnight, no vacation. Johnny Gimble beltcottondad Change image and share on social
It's just a real thrill when you're showing somebody a chord progression or something, and you see that light come on, you know. You see 'em 'get it.' Johnny Gimble chordlightprogression Change image and share on social
I was never very good at picking cotton, and then I only made fifty cents or $1 a day. People would work for $1 a day during the Depression. So we would get $2 for playing music and just having fun. I think that as a result of that it was not just the money, but we enjoyed doing it. Johnny Gimble centcottonday share on social
Mostly, whenever I'm booked to do instruction, I just play a little bit and get people to ask questions. We'll play some music for 'em, 'til somebody hollers out, 'Play 'Milk Cow Blues' or 'Play 'San Antonio Rose.' We play requests and demonstrate our music. Johnny Gimble antoniobiteblue share on social
Texas was home. We went to Anchorage to get rich in 1959. Someone told us, 'If you drive a nail, you could make $100 a day in construction work.' We were hungry, and we stayed there for a year and a half. But I never did plan to stay there - the same with Nashville. I was gonna go up there and work, but Texas was home. Johnny Gimble anchorageconstructionday share on social