I'm very proud of 'Platoon,' but at the end of it I was done. I was done. John C. McGinley endplatoonproud Change image and share on social
I have mixed feelings about 'Car 54, Where Are You?' Because we shot it as a musical and whoever the studio head was at Orion, or whoever the powers that be were, cut all but, like, two musical numbers out of it. That is the same as cutting the musical numbers out of 'The Wizard Of Oz'; it wouldn't be that interesting. John C. McGinley carcutfeeling share on social
I felt (a) it was a great role and (b) I wanted to stay in town. I wanted to stop going to these four month and five month gigs up in Toronto or Montreal or Vancouver or down in Mexico. I wanted to be around my son, Max. This came along and I was like, 'I really want to play this guy!' John C. McGinley feltgiggreat share on social
I wanted to be Red Barber, Mel Allen or Howard Cosell. I loved their personalities and all of their sounds. John C. McGinley allenbarbercosell Change image and share on social
When your child stops breathing 60 times a night, you don't worry about what's going on next year or even next week. You put aside thoughts about which preschool you're going to enroll him in and focus on how he's doing right now. It's not the Norman Rockwell relationship that you sign on for when becoming a parent. John C. McGinley breathechildenroll share on social
What's so interesting about 'Point Break' to me is that it's a study of testosterone and adrenaline by a woman. That's why it's little more interesting than it should be. John C. McGinley adrenalinebreakinterest Change image and share on social
My son walked up to Nicole on the beach and I was throwing the ball for the dogs in the ocean. I was like, 'Max, you get the dogs. I'll talk to the hot blondes.' John C. McGinley ballbeachblonde Change image and share on social
The conventional wisdom with David Mamet is, you do not change a word. And that agrees with me. If you want to change any of David's words, it's like wanting to change the iambic pentameter in Shakespeare - you should do something else. John C. McGinley agreechangeconventional share on social
I knew I wanted to play 'Dr Cox' really bad, which is always a huge mistake because as soon as you want something really bad, maybe you rip up a little bit. John C. McGinley badbitecox Change image and share on social
What helps writers, and ultimately, obviously, helps the actors - who should serve the words that the writer puts on the page - is if the character has damages, because then the writers can cultivate and excavate, like a dentist going into a tooth. John C. McGinley actorcharactercultivate share on social