Then I took 8 years of French Horn, first jazz, and then classical. Jim Coleman classicalfrenchhorn Change image and share on social
I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret. Jim Coleman coolhighjunior Change image and share on social
So, through playing with Cop I realized that there is a potentially interested audience out in the world. Jim Coleman audiencecopinterest Change image and share on social
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way. Jim Coleman contraelectronicinterest Change image and share on social
Yes, I was forced to take piano lessons for 8 years as a child. Jim Coleman childforcelesson Change image and share on social
With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood. Jim Coleman brothercreatefrat share on social
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life. Jim Coleman clashcopideally Change image and share on social
Unfortunately, however, I have too many desires to make a good Buddhist. Jim Coleman buddhistdesiregood Change image and share on social
First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations. Jim Coleman collagecopday share on social
I grew up outside of DC, New York state, and Connecticut. Jim Coleman connecticutgrowstate Change image and share on social
