Marlene Dumas is one of the two or three most successful female artists alive, if you judge by prices. I've never reviewed her work, because I find nothing in it to get excited about no matter how hard I look. Jerry Saltz aliveartistduma share on social
Giorgio Morandi's paintings make me think that artists may not totally choose, or even control, their subjects or style. Jerry Saltz artistchoosecontrol Change image and share on social
In 1998, Artnet was the site that convinced me that if my writing didn't exist online, it didn't exist at all. It showed me criticism's future. Jerry Saltz artnetconvincecriticism Change image and share on social
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything. Jerry Saltz annoyartcatch share on social
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the page. Jerry Saltz happenpageperiod Change image and share on social
My culture-deprived, aspirational mother dragged me once a month from our northern suburb - where the word art never came up - to the Art Institute of Chicago. I hated it. Jerry Saltz artaspirationalchicago Change image and share on social
Giant group events are distorting organisms: You can like and hate them in rapid succession. Jerry Saltz distorteventgiant Change image and share on social
I see 30 to 40 gallery shows a week, and no matter what kind of mood I'm in, no matter how bad the art is, I almost always feel better afterward. I can learn as much from bad art as from good. Jerry Saltz afterwardartbad Change image and share on social
Artistic qualities that once seemed undeniable don't seem so now. Sometimes these fluctuations are only fickleness of taste, momentary glitches in an artist's work, or an artist getting ahead of his audience (it took me ten years to catch up to Albert Oehlen). Other times, however, these problems mean there's something wrong with the art. Jerry Saltz aheadalbertart share on social
Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off. Jerry Saltz abstractionartcome share on social