Money is something that can be measured; art is not. It's all subjective. Jerry Saltz artmeasuremoney Change image and share on social
Abstraction is one of the greatest visionary tools ever invented by human beings to imagine, decipher, and depict the world. Jerry Saltz abstractionbeingdecipher Change image and share on social
Mission accomplished. The Museum of Modern Art's wide-open, tall-ceilinged, super-reinforced second floor was for all intents and purposes built to accommodate monumental installations and gigantic sculptures, should the need arise. It has arisen. Jerry Saltz accommodateaccomplisharise share on social
Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly, decisively, for good. Jerry Saltz abstractionartcentury Change image and share on social
Every artist will one day face the moment when he or she is doing what he or she does after the style has passed and the art-world heat-seeking machine has moved on. Jerry Saltz artartistday Change image and share on social
Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so many artists. Jerry Saltz aestheticamericanart Change image and share on social
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The other claims that when money ebbs, so do prospects for women. Jerry Saltz allowargumentartist Change image and share on social
While a large segment of the art world has obsessed over a tiny number of stars and their prices, an aesthetic shift has been occurring. It's not a movement - movements are more sure of themselves. It's a change of mood or expectation, a desire for art to be more than showy effects, big numbers, and gamesmanship. Jerry Saltz aestheticartbig share on social
The reason the art world doesn't respond to Kinkade is because none - not one - of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. They're all cliche and already told. Jerry Saltz artclichecolor share on social
Koons's work has always stood apart for its one-at-a-time perfection, epic theatricality, a corrupted, almost sick drive for purification, and an obsession with traditional artistic values. Jerry Saltz artisticcorruptdrive Change image and share on social