All Quotes

I worked with AXE Hair to do a promo shoot for the ESPYs and ESPN - it's all about having girl-approved hair. They have a newer product out there with the hair stuff - shampoo, conditioner and all the styling products that they have.
‐‐ Matthew Stafford

I worked with Cameron Crowe, and I'd love to work with him again.
‐‐ Ally Walker

I worked with Carl Perkins on a number of shows. Live shows. He just showed up and played. He just killed. Killed! Man... he was amazing!
‐‐ Lesley Gore

I worked with Cecil B DeMille quite a few times.
‐‐ Richard Farnsworth

I worked with creative people who were very demanding of me, and they helped me reach performances that I never could have gotten on my own without being pushed and having trust in them. And so I know the best way to get the best performance of an actor, and that's not to coddle them or to baby them. It's to help them; it's to push them.
‐‐ Ricky Schroder

I worked with Dalton Trumbo, who served time for refusing to give up names of people that were accused of being Communists. I've always admired him.
‐‐ Anthony Geary

I worked with Dionne Warwick, did shows with Bette Midler, and then I did the 25th anniversary of the Rock and Roll Hall of Fame with Springsteen at the Garden. It was all important stuff because you want people to know you can work, you can sing, and you can still look good!
‐‐ Darlene Love

I worked with everybody, the best, and they actually paid me money to stand next to the people I idolized.
‐‐ Bobby Sherman

I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
‐‐ Valeria Golino

I worked with her on the second season of Dark Angel in Vancouver, one of my first real jobs.
‐‐ Ashley Scott

I worked with him for ten years until he died and it was the most wonderful time of my life.
‐‐ Mark Oliphant

I worked with Ice-T, Ice Cube, and Tupac! But Tupac was the sweetest man in the world. That whole thug thing was an act - it was silly and dumb. He was a complete gentleman and one of the kindest men I've ever met.
‐‐ Lori Petty

I worked with Ismail Merchant on 'The Mystic Masseur,' I did 'Sakina's Restaurant,' I've done plays, I've been on Broadway, I've done movies, I've done TV... but nothing has had the pop culture penetrative impact as 'The Daily Show' has. It's the nature of the beast.
‐‐ Aasif Mandvi

I worked with J. T. Walsh - it was one of the best experiences I ever had - a fantastic actor and a great guy. I was in the last movie that he did: 'The Negotiator.' He died a couple of months after that. He was great.
‐‐ Paul Giamatti

I worked with Jackie Chan for a long time, and seeing how much pain he's in, I realized that that might not be a sustainable career for me. So I started to develop my career as a dramatic actor rather than as an action actor.
‐‐ Daniel Wu

I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
‐‐ Omar Dorsey

I worked with John, but I had enough sense to walk just a little ways behind him. I could have made more records, but I wanted to have a marriage.
‐‐ June Carter Cash

I worked with John Hurt a couple of times and learned a lot from him.
‐‐ Sean Bean

I worked with Kathy Rigby, and it's a concept called 'Peter Perry': it's all of Katy Perry's songs telling the story of Peter Pan. Kathy was so sweet, and it was such a cool experience to meet her and work with her and use the set that I had watched on television for so many years.
‐‐ Todrick Hall

I worked with Lady Gaga for a day on a video shoot. It was crazy; we had a lot of fun. I had a great time.
‐‐ Bill Skarsgard

I worked with Lawrence Olivier some years ago. He was a great mentor.
‐‐ Anthony Hopkins

I worked with Lukas Haas a long time ago, when he was younger, and he was wonderful.
‐‐ Campbell Scott

I worked with Marlon Wayans on the show 'They Wayans Brothers,' and we hit it off. One thing about Marlon, when he casts a movie or a TV show, he expects you to bring it. You've got to be ready to improv, because Marlon will say anything, and you've got to be ready to come back.
‐‐ Kym Whitley

I worked with Michael Black and Michael Showalter on their show 'Michael and Michael Have Issues.' We did some stuff on that, but it ended up not getting picked up for a second season. There will be more stuff, but not right now. Michael Showalter and I are literally next-door neighbors. We see quite a lot of each other.
‐‐ Zak Orth

I worked with Michelle Yeoh on my last film, 'Far North,' and her partner is Jean Todt; at the time, he ran Ferrari. So I went as a VIP to the British grand prix.
‐‐ Asif Kapadia

I worked with my coach to develop some new spiral variations to make my program more interesting. Each one is different and you'll have to wait until January to see them.
‐‐ Sasha Cohen

I worked with my dad for 15 years. I apprenticed under him and decided I wanted to become an architect. So I went to college for it and then the acting bug got me.
‐‐ Patrick Duffy

I worked with my parents on the stage in production numbers since I was 4, but I never really gave much thought to being a performer on my own until I was 12 or 13.
‐‐ Helen Reddy

I worked with my son when he was much younger; we did L.A. Law together, where I played his father and he played a kid who was suing his father for alienation of affection or something. It was great.
‐‐ Rene Auberjonois

I worked with Paul McCartney for a while and saw what it does to you to be treated like a god for twenty years.
‐‐ Tracey Ullman

I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.
‐‐ Andre Braugher

I worked with practically everybody in the business in all of the years in NBC, but I worked personally many years with people like Crosby and Sinatra, so of course that was a great ground school for me.
‐‐ Skitch Henderson

I worked with President Obama on the Affordable Care Act and getting health coverage to all Americans. It was my legislation that said insurance companies can no longer deny coverage for kids with preexisting conditions.
‐‐ Allyson Schwartz

I worked with Rocky Graziano and Rocky was certainly a character.
‐‐ Dick Schaap

I worked with Roger Moore on three episodes of 'The Saint.' He is a lovely man, a good director, and was my favourite actor to work with.
‐‐ Shirley Eaton

I worked with Seann William Scott on 'Role Models,' and his arms are tatted up. He had to come to set an hour-and-a-half early to get them covered. It's not worth it. I want that extra hour of sleep.
‐‐ Christopher Mintz-Plasse

I worked with Snoop, but I would love to work with him again, but DMX... I would love to work with him as well... I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.
‐‐ Bow Wow

I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I wanted to make films.
‐‐ Paddy Considine

I worked with some wonderful people, tried my best and I feel comfortable.
‐‐ Janet Reno

I worked with someone who told me they'd never like me. But for some reason, I just felt like I needed her approval. So I started changing myself to please her. It made me stop being social and friendly. I was so unhappy.
‐‐ Ariana Grande

I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
‐‐ Ian Watson

I worked with Steven Spielberg on 'AI,' and his level of preparation was extraordinary. He told me there was a time at the beginning when he was a bit more spontaneous and went over budget, and it absolutely wrecked his head. When you look at the power and assuredness of his movies, it makes sense that he works out so much in advance.
‐‐ Brendan Gleeson

I worked with Steven Spielberg on Amistad... he seemed so very secure in himself that he let me do things.
‐‐ Anthony Hopkins

I worked with such concentration and focus and I had hundreds of obscure engineering or programming things in my head. I was just real exceptional in that way.
‐‐ Steve Wozniak

I worked with the best - Givenchy, Dior, Yves Saint Laurent - and it gave me an ability to be confident. It turned me into a CEO and a creative director and a brand.
‐‐ Kimora Lee Simmons

I worked with the Coen brothers, which had been a dream of mine.
‐‐ Domhnall Gleeson

I worked with the Groundlings, doing sketch comedy and improv at a theater here in L.A. It was my hobby, but I took classes and stayed passionate about it because it's what I wanted to do. It just fit. It takes a while before you can actually make money at it. I worked for years.
‐‐ Fortune Feimster

I worked with the March of Dimes to enact legislation for a national birth defects prevention program to provide surveillance, research and preventive services aimed at reducing the rate of birth defects.
‐‐ Solomon Ortiz

I worked with the world's greatest talents and then went home to the world's greatest woman. It was, and is, a great life.
‐‐ Perry Como

I worked with these liberal elites for 28 years at CBS News, and they were always throwing around the term 'white trash,' by which they meant poor southerners who didn't go to Harvard. I'm not sure why that makes them trash.
‐‐ Bernard Goldberg