All Quotes

I think of dystopian as 'Mad Max,' as 'Book of Eli,' as the world is ending.
‐‐ Tyra Banks

I think of each movie as a puzzle. The fun is in solving the puzzle: finding a musical identity for the picture, however that can be summed up.
‐‐ Marco Beltrami

I think of each new season as an evolution, not a change in style.
‐‐ Manolo Blahnik

I think of events like the Challenger and 9/11 - events that move us so much that we never quite get over them. So it's important to go back and relive those feelings in order to remember how important those events were to us.
‐‐ Kelly Masterson

I think of every book as a single entity, and some have later gone on to become a series, often at the request of readers.
‐‐ Lois Lowry

I think of evolution as a myth, like the Norse myths, the Greek myths - anybody's myths. But it was created for a rational age.
‐‐ Tom Wolfe

I think of fans like a barbershop. I want that debate.
‐‐ Pitbull

I think of fashion as an art form as well as an industrial product - and something that has to be sold well and has to be of high quality.
‐‐ Hussein Chalayan

I think of feminism as a socially just and imaginative world.
‐‐ Suheir Hammad

I think of feminism as more of a political ideology.
‐‐ Callie Khouri

I think of fiction as the highest calling. I'm kind of addicted to it. It's the thing that has gotten me through all the hard points in my life.
‐‐ Ruth Reichl

I think of Google as a set of overlapping things. It's a consumer platform, consumer phenomenon of which search is its fundamental activity, but there are many other things you can do than search... I think of Google as an advertising company who services the broader advertising industry in the ways that you know.
‐‐ Eric Schmidt

I think of guitar players in terms of doctors: you have the doctor for your heart, the cardiologist, then one that works on your feet, your leg. But I believe George Benson is the one that plays all over. To me, he would be the M.D. of them all.
‐‐ B. B. King

I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
‐‐ David Cronenberg

I think of House as a deeply moral character, though some would no doubt argue with me. He does not judge. Beyond his normal tetchiness, there were no more than a half-dozen moments of actual condemnation from him. He understood lies and also why you lied, and there was an absolution there that is very, very appealing.
‐‐ Hugh Laurie

I think of images as an immune system and a transit system.
‐‐ Lynda Barry

I think of it as a good opportunity to let, in particular, school kids know that this job and other interesting jobs in science and engineering are open to anyone who works hard in school and gets a good education and studies math and science. And that it's not just for a select group of people.
‐‐ Ellen Ochoa

I think of it as the lasagna approach to writing because I'm always adding layers. I'll sometimes do it layer by layer, with dialogue, attribution, action, objects in the scene, setting... It can be sometimes that delineated.
‐‐ Chelsea Cain

I think of John every day. I do try to block it, but December 8th is not the only day I think of him.
‐‐ Yoko Ono

I think of Kate Moss whenever I think of someone who did the bridesmaid thing right. They were all in different dresses, and I love neutrals. But it's so hard to pull that together. You almost need a stylist for it.
‐‐ Christine Teigen

I think of L.A. as truly the melting pot. It's basically a mini-country unto itself.
‐‐ Patrick Soon-Shiong

I think of 'Liar & Spy' as completely different and actually not at all like a 'When You Reach Me'-type story. I feel like 'Liar & Spy' has a much quieter, more emotional revelation.
‐‐ Rebecca Stead

I think of life as a good book. The further you get into it, the more it begins to make sense.
‐‐ Harold Kushner

I think of life itself now as a wonderful play that I've written for myself, and so my purpose is to have the utmost fun playing my part.
‐‐ Shirley MacLaine

I think of making a movie in such a romantic way.
‐‐ Alexandra Cassavetes

I think of many people and no one as a muse. I love the way Sofia looks always, and I love the way Kim looks always. Fashion may be part of their world, but it's not their whole life. It's not everything.
‐‐ Marc Jacobs

I think of marriage as a garden. You have to tend to it. Respect it, take care of it, feed it. Make sure everyone is getting the right amount of, um, sunlight.
‐‐ Mark Ruffalo

I think of masculine and feminine energy like two sides to a battery. There's a plus side and a minus side, and in order to make something turn on, you need to have opposites touching. It's the same in relationships.
‐‐ Tracy McMillan

I think of Mike Myers as the Buster Keaton of today. I think he's brought us something so special.
‐‐ Robert Wagner

I think of 'Mommy' as very simplistic or not simplistic, but I wish for the style to actually work with what you see onscreen and what you feel in that very moment. I hope we did not disrespect the characters by being too flamboyant when it's not necessary.
‐‐ Xavier Dolan

I think of moving as a kind of saving grace.
‐‐ Martin Puryear

I think of my actions every day: what seems to be important and what isn't.
‐‐ James Rosenquist

I think of my body as a side effect of my mind.
‐‐ Carrie Fisher

I think of my books as mainstream and that's were most people who read them look for them in book stores.
‐‐ Jean M. Auel

I think of my books now as suspense novels, usually with a love story incorporated. They're absolutely a lot harder to write than romances. They take more plotting and real character development.
‐‐ Sandra Brown

I think of my brother just out of prison again. He will have spent ten years of the last 30 in prison.
‐‐ Daniel Berrigan

I think of my customer as a woman who wants to look beautiful and be able to walk.
‐‐ Edgardo Osorio

I think of my drawing style like handwriting: it's a mix of whatever handwriting you're born with, plus bits and pieces you've pilfered from other people around you.
‐‐ Roz Chast

I think of my father and how confused he was by me. He understood my love for theater, and he understood that New York City was the only place that it was happening in America, really, in any live way.
‐‐ Spalding Gray

I think of my films as not necessarily political but more moral. Between my father, my stepfather, and my mother - they all felt pretty passionately about the importance of standing up and doing the right thing, and none of them were suck-ups. What motivates me is usually abuse of power.
‐‐ Alex Gibney

I think of my gender as a part of my complex humanity.
‐‐ Jenny Slate

I think of my novels as entertainments.
‐‐ Stephen Carter

I think of my own work as part of a decades-long conversation about books and reading with people I will mainly never meet.
‐‐ Michael Dirda

I think of my parents as a single unit, and it's interesting because they shared so much, and they were totally opposite. My mother, a Martha Graham dancer, had a classical background; my father had a back-porch background.
‐‐ Arlo Guthrie

I think of my peace paintings as one long poem, with each painting being a single stanza.
‐‐ Robert Indiana

I think of my poems as personal and public at the same time. You could say they serve as psychological overlays. One fits on top of the other, and hopefully there's an ongoing evolution of clarity.
‐‐ Yusef Komunyakaa

I think of my shows as family reunions. I give 100% every time. I just do. It's a huge therapeutic release. Also I love my touring family. And I love my audiences very much.
‐‐ Paula Cole

I think of my songs as there to be something to move people emotionally.
‐‐ David Friedman

I think of myself, an Iranian/American artist, and wonder what would I want if I'm ever imprisoned by the Iranian government for the work that I make? I answer: I would hope that the United States government comes to my rescue.
‐‐ Shirin Neshat