I don't compare shows. It's very simple. I don't live in the past. If there's any secret to my longevity, it's living in the future. And a little bit in the present. Harold Prince bitecomparefuture Change image and share on social
We've got to find a way to protect the process of making musical theater. Harold Prince findhavemake Change image and share on social
There have always been revivals. Some have always been successful. And many of them have failed. Harold Prince failrevivalsuccessful Change image and share on social
When I was a 25-year-old kid, I raised $260,000 for my first show, 'The Pajama Game,' in such a homemade, pathetic, endearing way - a buck here, a buck there. Harold Prince 000buckendear Change image and share on social
Audiences are quite happy to be astonished, and they don't care who does that astonishing. Harold Prince astonishaudiencecare Change image and share on social
There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling. Harold Prince composercreativelack Change image and share on social
Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. What the theater lacks is that kind of courage. Harold Prince audiencebadchance Change image and share on social
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. Harold Prince bigboxcreatively share on social
I don't think there's a defined contemporary American musical, do you? Harold Prince americancontemporarydefine Change image and share on social
The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values. Harold Prince cruellydandepress Change image and share on social