You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic. Harold Prince historicallymusicalromantic Change image and share on social
When I was a 25-year-old kid, I raised $260,000 for my first show, 'The Pajama Game,' in such a homemade, pathetic, endearing way - a buck here, a buck there. Harold Prince 000buckendear Change image and share on social
Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. What the theater lacks is that kind of courage. Harold Prince audiencebadchance Change image and share on social
You do a show to be a hit and hopefully run a couple of years. Harold Prince couplehitrun Change image and share on social
One thing is certain: We can't go back. The musical will never be the same as it was. Harold Prince backmusicalthing Change image and share on social
You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically. Harold Prince argueaudienceclosely share on social
I suppose a certain degree of adulthood has entered my life. Aiming for Broadway, I can't think that way any more. Of course, Broadway will always be important. But it's not the focus of everything that you do. You know, I'm very happy I was born when I was, so I got there in time. When it was time to get there. Harold Prince adulthoodaimbear share on social
Ethel Merman would stay with a show for years and tour with it. So would Mary Martin, the great stars. They recognized the value of that success and nurtured it. Now, you come from Hollywood, you play 12 weeks and go away. I don't think that's the best policy. Harold Prince ethelgreathollywood share on social
Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur. Harold Prince amateurartisticbad share on social
I've always loved Victorian melodrama. And I've always liked larger-than-life theater, providing it's truthful and honest. I like what the theater can provide in energy and bombast - I enjoy it when it's large, and by that I don't mean in size, I mean in emotions. Shakespeare did that. Harold Prince bombastemotionenergy share on social