I've spent my whole literary career blurring boundaries between genres and categories. Guy Gavriel Kay blurboundarycareer Change image and share on social
I say 'as it were' or 'so to speak' too often because puns and double entendres keep insinuating themselves into my consciousness as I'm talking. Guy Gavriel Kay consciousnessdoubleentendre Change image and share on social
Liu Fang is a truly gifted, world-famous player of the pipa and the guzheng, classical Chinese stringed instruments. Guy Gavriel Kay chineseclassicalfamous Change image and share on social
I ruefully admit that if the cat is asleep in my chair - which she regards as hers, of course - I tend to leave her there and take the other one. Guy Gavriel Kay admitasleepcat Change image and share on social
The poems were the only thing I wrote that was not for everyone else. Then my editors at Penguin, who were also friends and had seen several of them, aggressively urged me to do a book. Editors can be aggressive, especially after drinks. That's how 'Beyond This Dark House' appeared. Guy Gavriel Kay aggressiveaggressivelyappear share on social
I had been obsessed with the Arthurian legends all my life, and I knew that that would work its way into any trilogy I wrote. I was fascinated by the Eddas, the Norse and Icelandic legends, Odin on the world tree. Guy Gavriel Kay arthurianeddafascinate share on social
Do we value privacy in any real way? Thinking about blogs, Twitter, Facebook, MySpace... all these suggest we value exposure rather more. And instead of challenging this transformation, as they are supposed to - certainly at the more thoughtful edges of the art - novelists are buying into it wholesale. Guy Gavriel Kay artblogbuy share on social
When I was 18 years old, in a more innocent time, my first backpacking trip through Europe, I sneaked into the Temple of Saturn in the Roman Forum after nightfall and spent several hours in there avoiding the guards patrolling. Guy Gavriel Kay avoidbackpackeurope share on social
I don't know a writer who doesn't feel some sense of glamour and magic and a complex, wistful sadness emanating from the expats of the twenties in France. Some of the sadness, of course, is that we weren't there. Guy Gavriel Kay complexemanateexpat share on social
I spent many years writing and directing in radio drama, so I am comfortable with an audience or a microphone, but I do worry about the blurring of an author's public persona with the work itself. A good 'performer' can make a mediocre book sound strong, and a shy author can leave listeners missing the excellence of his or her writing. Guy Gavriel Kay audienceauthorblur share on social