At first, the tornado is nearly invisible. Against the sky, it's white on white. Greg MacGillivray invisibleskytornado Change image and share on social
In a normal movie, the director controls what you look at. The shots don't last very long because you're getting the audience to look at specific things. An IMAX shot, on the other hand, can be twenty or thirty seconds long. Greg MacGillivray audiencecontroldirector share on social
What's happening on the Colorado River is happening all over the world. The water is overused, overdammed, and it's polluted in some places. Greg MacGillivray coloradohappenoverdammed Change image and share on social
'Hollywood Don't Surf!' is really about how Hollywood's superficial view of surfing culture has influenced popular culture and the story of what happened when real surfers tried to change that. Greg MacGillivray changeculturehappen Change image and share on social
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital. Greg MacGillivray basecoollydigital share on social
My goal is that after seeing 'Grand Canyon,' every person in the audience will go home knowing they have to conserve water: even something as simple as installing a low-flow toilet or showerhead, or turning off the faucet while they're brushing their teeth. Greg MacGillivray audiencebrushcanyon share on social