Top 64 Quotes by Greg Graffin

In the 1970s, we had Carl Sagan, and he was so suave with his turtleneck and his tweed jacket. And he was, you know, he made science look cool. And in punk rock, we haven't had that. We haven't had the Carl Sagan of punk.

Folk music usually has an emphasis on the lyrics and melody. And those lyrics are usually relevant in some way. And it's populist in scope, which is also true of Bad Religion. So it's more meant to draw some parallels between the two. And I think even my voice and my delivery can be thought of as a little bit folky.

There are so many ways to characterize evolutionary success. If one criterion is the number of millions of years that the species persists, we're still just infants. We're way too young of a species to tell if we were a creative fluke or if we have any staying power.

The vocal arrangements are a big part of the formula for a Bad Religion song - layered harmonies and background vocals. So when I start to describe the elements of Bad Religion's sound, it starts to sound like a Christmas choir.

One of the things that all religions have is a narrative of doomsday. There has to be some kind of overarching fear of the future. If there wasn't, none of the religions could invoke this important thing - that science has no evidence of, by the way - called free will.

I was never raised with the traditional story of creation in religion, and because of that I think I had a lot of questions. And evolution, the evolutionary narrative, helped provide some of that for me.

I grew up playing football since the day I could walk; some of my greatest memories of childhood are playing touch football in all kinds of weather with my best friends. That's a part of the American experience that no corporation can destroy.

People are still very uncomfortable with the idea that humans are not specially created species. I believe we are a fantastic species. But we are not created specially. That's very hard for people to accept in their day-to-day routine.