I started a novel right before 'The Imitation Game,' so it's funny now, four years later, to be coming almost back to finishing it. Graham Moore backcomefinish Change image and share on social
Alan Turing, to me, always felt like an outsider's outsider. Graham Moore alanfeltoutsider Change image and share on social
I think we all feel like weirdos for different reasons. Graham Moore feelreasonweirdo Change image and share on social
I was a sound engineer. That was my day job when I started writing. Graham Moore dayengineerjob Change image and share on social
I like historical things; I like researching things. Graham Moore historicalresearchthing Change image and share on social
Depression is something I've dealt with every day of my life. Graham Moore daydealdepression Change image and share on social
Telling Alan Turing's story in a two-hour film was a tremendous challenge. It felt in some small way like our filmmaking version of breaking the enigma code. Graham Moore alanbreakchallenge Change image and share on social
When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece. Graham Moore artcheckexperience share on social
If you're going to make a film, and you're going to have dialogue, and you want to take the characters seriously, let's understand what they're saying. If there is going to be technical dialogue, let's render it in a way that the audience can understand it and expect that it's not going to be so far over their heads. Graham Moore audiencecharacterdialogue share on social
Britain in 1939 and 1940 really thought they were going to lose the war. It looked like they were going to lose. There was bombing every day, and people were literally starving. Graham Moore bombbritainday Change image and share on social