I'm very, very leery of nonfiction books where they change timeframes and use - what do they call those things? - composite characters. I don't think that's right. Geraldine Brooks bookcallchange Change image and share on social
Both my parents loved words. That was the big deal in our house. Geraldine Brooks bigdealhouse Change image and share on social
Even the classics that we read to our young children are full of wolves' fangs and burning ovens and bloody feet and ice shards piercing hearts. Even the New Testament climaxes with an act of unspeakable torture. Might as well just read to our kids from the Amnesty Annual Report and be done with it. Geraldine Brooks actamnestyannual share on social
And when I'd be reporting in Israel, Palestinians would say, the Jews they're not like us, and the Jews would say the same things about the Palestinians, they don't want what we want. And I never bought it as a reporter and I don't buy it as a novelist. I think, you know, the sound of somebody crying for their lost child sounds the same. Geraldine Brooks buychildcry share on social
I think that you can honour the sacrifices of a common soldier without glorifying war. Geraldine Brooks commonglorifyhonour Change image and share on social
My sentences tend to be very short and rather spare. I'm more your paragraph kind of gal. Geraldine Brooks galkindparagraph Change image and share on social
Yes, it seems we've got this mutant gene in our human personality that makes us susceptible to this same kind of mistake over and over again. It's really uncanny how we build these beautiful multicultural edifices and then allow this switch to be flipped and everybody goes, 'Oh, the other, get them out of here.' Geraldine Brooks beautifulbuildedifice share on social
If somebody from the past doesn't rise up from the grave and start talking to me, I haven't got a book. I have to hear that voice, the voice of the narrator. How she sounds will tell me who she is, and who she is will tell me how she will act - and that starts the plot in motion. Geraldine Brooks actbookgrave share on social
I can always write. Sometimes, to be sure, what I write is crap, but it's words on the page and therefore it is something to work with. Geraldine Brooks crappageword Change image and share on social
The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure. Geraldine Brooks attractbuildfactual share on social