In history books, or the one about the guy who cut his hand off to get out of a canyon in Utah, you really want them to be accurate. But my stuff is such small beer by comparison. Geoff Dyer accuratebeerbook Change image and share on social
In many ways, I was a typical young guy out of college. I was at Oxford, where every night there'd be a late showing of some great film. Geoff Dyer collegefilmgreat Change image and share on social
There's one profound difference between secular and religious pilgrimages. It's inconceivable that a Muslim would feel a sense of anticlimax when reaching Mecca. But for a secular pilgrim, the potential for disappointment is always there. Geoff Dyer anticlimaxdifferencedisappointment share on social
I'll be writing essays long after I've stopped writing fiction. There is this unusually broad range in the non-fiction, but if you look at what I'm capable of as a novelist, I'm more limited. Geoff Dyer broadcapableessay Change image and share on social
Once you've got through immigration, one is always made to feel very welcome in America, once they've let you in. It's a great place to be. Geoff Dyer americafeelgreat Change image and share on social
If you're not religious, like me, how do you explain the transformational power that certain places have? They bring an incredible degree of attention to where you are and the passage of time. You're looking at every flower twitching, wondering if it's just the breeze or some magical pulse. Geoff Dyer attentionbreezebring share on social
One of the great privileges of my life was growing up in a house without books. Geoff Dyer bookgreatgrow Change image and share on social
What I don't like is constructing a book that fits in with any kind of generic template, whether it's fiction or nonfiction. Geoff Dyer bookconstructfiction Change image and share on social
In the 1930s, photographers such as Walker Evans and Dorothea Lange produced images of sharecroppers and Okies, which drew attention both to the conditions in which these unfortunates found themselves and to their heroic fortitude. Geoff Dyer 1930sattentioncondition share on social
Borrowing something from one art form and relocating it in another always has a whiff of pretension about it, like in books if, instead of 'Chapter One,' you have 'First Movement.' Geoff Dyer artbookborrow Change image and share on social