I want the subject to be in control. Because they will give me something I couldn't possibly know about them. Eve Arnold controlgivepossibly Change image and share on social
I don't see anybody as either ordinary or extraordinary. I see them simply as people in front of my lens. Eve Arnold extraordinaryfrontlens Change image and share on social
What I have tried to do is involve the people I was photographing... if they were willing to give, I was willing to photograph. Eve Arnold giveinvolvepeople Change image and share on social
It is the photographer, not the camera, that is the instrument. Eve Arnold camerainstrumentphotographer Change image and share on social
I realise that I had the best of serious picture journalism. There was an innocence in our approach, especially in the 1950s and 1960s when we naively believed that by holding a mirror up to the world we could help - no matter how little - to make people aware of the human condition. Eve Arnold 1950s1960sapproach share on social
Lesson number one: Pay attention to the intrusion of the camera. Eve Arnold attentioncameraintrusion Change image and share on social
I look for a sense of reality with everything I did. I didn't work in a studio, I didn't light anything. I found a way of working which pleased me because I didn't have to frighten people with heavy equipment. It was that little black box and me and £5 worth of film in my pocket or maybe it was only £2 in those days. Eve Arnold blackboxday share on social
If a photographer cares about the people before the lens and is compassionate, much is given. Eve Arnold carecompassionatelens Change image and share on social
I love the idea I can go off with a single camera and a few rolls of film unencumbered... I was not interested in the illusion of reality, I wanted to get close to what was happening. Eve Arnold cameraclosefilm Change image and share on social