I want the subject to be in control. Because they will give me something I couldn't possibly know about them. Eve Arnold controlgivepossibly Change image and share on social
I don't see anybody as either ordinary or extraordinary. I see them simply as people in front of my lens. Eve Arnold extraordinaryfrontlens Change image and share on social
What I have tried to do is involve the people I was photographing... if they were willing to give, I was willing to photograph. Eve Arnold giveinvolvepeople Change image and share on social
What drove me and kept me going over the decades? If I had to use a single word, it would be 'curiosity.' Eve Arnold curiositydecadedrive Change image and share on social
I realise that I had the best of serious picture journalism. There was an innocence in our approach, especially in the 1950s and 1960s when we naively believed that by holding a mirror up to the world we could help - no matter how little - to make people aware of the human condition. Eve Arnold 1950s1960sapproach share on social
If a photographer cares about the people before the lens and is compassionate, much is given. Eve Arnold carecompassionatelens Change image and share on social
Lesson number one: Pay attention to the intrusion of the camera. Eve Arnold attentioncameraintrusion Change image and share on social
I look for a sense of reality with everything I did. I didn't work in a studio, I didn't light anything. I found a way of working which pleased me because I didn't have to frighten people with heavy equipment. It was that little black box and me and £5 worth of film in my pocket or maybe it was only £2 in those days. Eve Arnold blackboxday share on social