The paintings to me are always canvas; sculpture has always been metal, though I have made sculpture in wood, also. Ellsworth Kelly canvasmakemetal Change image and share on social
I learned my color in Europe. I've always been a colorist, I think. I started when I was very young, being a bird-watcher, fascinated by the bird colors. Ellsworth Kelly birdcolorcolorist Change image and share on social
All my work comes from perceiving. I kept seeing things that were brooding in me. I'm not a geometric artist. Ellsworth Kelly artistbroodgeometric Change image and share on social
Matisse draws what I call the essence of the plants. He leaves a shape open. He'll do a leaf and not close it. Everybody used to say, oh, I got it all from Matisse, and I said, 'Not really.' Ellsworth Kelly callclosedraw Change image and share on social
I don't like acrylic because you can't get the density of color. And with each coat of oil paint, the surface gets better and richer. Ellsworth Kelly acryliccoatcolor Change image and share on social
I did not want windows, only skylights. I chose my painting wall as it has the best morning light. Ellsworth Kelly chooselightmorning Change image and share on social
The negative is just as important as the positive. Ellsworth Kelly importantnegativepositive Change image and share on social
I like to be able to get swift curves in the plant drawings that are usually drawn in five to ten minutes. Ellsworth Kelly curvedrawdrawing Change image and share on social
When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything. Ellsworth Kelly begindrawfeel Change image and share on social