From an early age, I had the idea that writing was truth-telling. It's on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature - the holy book. There's nothing holy about it for me, but it should be serious, and it should be totally transparent. Edmund White agebackbook share on social
It's true that Paris is made up of equal parts of social conservatism and anarchic experimentation, but foreigners never quite know where to place the moral accent mark. Edmund White accentanarchicconservatism Change image and share on social
I used to think that I could be successful if I pretended to be a 23-year-old black woman. I wanted to find a young black woman who would be willing to go in on this with me. I would write her novels, and then she would do the touring. I always thought I was too old and the wrong color. Edmund White blackcolorfind share on social
America thrives on identity politics, left and right. But France is opposed to the idea. Since the Revolution, the French have enthroned the idea of universalism. All of us must be equal before the law as abstract individuals, and that extends to the arts. Edmund White abstractamericaart share on social
Whereas fiction is a continual discovery of what one wants to say, what one feels, what one means, and is, in that sense, a performance art, biography requires different skills - research and organization. Edmund White artbiographycontinual share on social
I was never an assimilationist. I always thought gays had some special mission. Edmund White assimilationistgaymission Change image and share on social
Early on, after gay liberation, there was an almost Stalinist pressure from gay critics and even gay readers to write about positive role models. We were never supposed to write negative things about gays, or else we were seen as collaborating with the enemy. Edmund White collaboratecriticearly share on social
Perhaps no other body of literature is as subject to political pressures from within the community as gay fiction. Edmund White bodycommunityfiction Change image and share on social
I never liked my father. He really was a dullard and misanthrope. My mother and he were married for 22, years and it was an ill match. She encouraged me to be a writer. She opened her home to black friends, and this was the 1950s. She didn't care later when I write about her. Edmund White 1950sblackcare share on social
I was too prissy, too refined, too abstemious, too French to be a good American writer. Edmund White abstemiousamericanfrench Change image and share on social