It was great. I mean, it's a blast directing underwater stuff. David R. Ellis blastdirectgreat Change image and share on social
No, we always had something to do because I did all the wave runners and jet skis and boats approaching the atolls and stuff like that, so you could do that without showing the actual atoll or the set that you're going towards, but detailing all those guys racing towards it. David R. Ellis actualapproachatoll share on social
They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase. David R. Ellis actorcameracar share on social
It's just about going out and getting the shot, so I have a great understanding of how to execute it, so that really helps me, and also having a good understanding of all the action that I'm shooting, it helps me in determining how I'm going to capture it. David R. Ellis actioncapturedetermine share on social
