We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story. David Foster Wallace ideakeenlife Change image and share on social
Nuclear weapons and TV have simply intensified the consequences of our tendencies, upped the stakes. David Foster Wallace consequenceintensifynuclear Change image and share on social
I just think that fiction that isn't exploring what it means to be human today isn't art. David Foster Wallace artexplorefiction Change image and share on social
It seems important to find ways of reminding ourselves that most 'familiarity' is meditated and delusive. David Foster Wallace delusivefamiliarityfind Change image and share on social
To be willing to sort of die in order to move the reader, somehow. Even now I'm scared about how sappy this'll look in print, saying this. David Foster Wallace diemoveorder Change image and share on social
This is so American, man: either make something your God and cosmos and then worship it, or else kill it. David Foster Wallace americancosmosgod Change image and share on social
The other half is to dramatize the fact that we still 'are' human beings, now. Or can be. David Foster Wallace beingdramatizefact Change image and share on social
This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants. David Foster Wallace contemporarydescendantdifference Change image and share on social
The interesting thing is why we're so desperate for this anesthetic against loneliness. David Foster Wallace anestheticdesperateinterest Change image and share on social
Pleasure becomes a value, a teleological end in itself. It's probably more Western than U.S. per se. David Foster Wallace endpleasureteleological Change image and share on social