While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht. David Antin allanbrechtcommon Change image and share on social
I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus. David Antin audienceawarebusiness Change image and share on social
I am quite unsatisfied by the distinctions between the oral and literate. David Antin distinctionliterateoral Change image and share on social
I wanted to be an inventor, whatever I thought that meant then. I guess I was thinking of Edison or maybe James Watt. Or maybe even Newton. David Antin edisonguessinventor Change image and share on social
I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know. David Antin collegecomefernando Change image and share on social
When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience. David Antin casualcoloredevelop Change image and share on social
I was very committed to the process of composing, working at poems, putting things together and taking them apart like some kind of experimental filmmaker. David Antin commitcomposeexperimental Change image and share on social
I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James. David Antin closeformathenry Change image and share on social
I didn't think about whether I was writing poems. I was thinking. And the more I was thinking, the more there was I didn't understand. David Antin poemthinkunderstand Change image and share on social
I tended to emphasize the secular, the casual, the colloquial, the vernacular against the sacred. David Antin casualcolloquialemphasize Change image and share on social