It's such a paradox. You come from this place where you want fame; you don't want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside. Dan Colen acceptbourgeoisfame share on social
A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions. Dan Colen actionenergyinstill Change image and share on social
Art class was my thing, but not any other class. Dan Colen artclassthing Change image and share on social
The different bodies of my work end themselves when there's no more discovery to be had. Dan Colen bodydiscoveryend Change image and share on social
I've always been interested in moments of disbelief... I don't know if they possess any magic, but they do have something. Dan Colen disbeliefhaveinterest Change image and share on social
I used to kind of go for it, right? Like, I'd be the one who would say, 'All right, there's Kate Moss. I'm going to try to make out with her.' Dan Colen katekindmake Change image and share on social
I'm trying to equalise the world to say there is no high and low. Dan Colen equalisehighlow Change image and share on social
Love is important. I didn't have the energy to be giving it to somebody else in a way that they deserved, and I knew that. So I've always been scared to go too far with somebody I care for because I knew there would come a day when I'd need to pick up and finish a painting for the next three months. That day is inevitable. Dan Colen caredaydeserve share on social
As opposed to putting too much confidence in myself, or in an image or a scene or a set of brushes, I really want to allow the oil paint to perform, to show me the things that it wants to do, beyond my imagination. Dan Colen brushconfidenceimage share on social