My fictitious characters will take the bit between their teeth and gallop off and do something that I hadn't counted on. However, I always insist on dragging them back to the straight and narrow. Colleen McCullough backbitecharacter Change image and share on social
There is no doubt that it is more difficult to read and more difficult to write but I still manage. Colleen McCullough difficultdoubtmanage Change image and share on social
I think explicit love scenes are a turn off unless it's the kind you read with one hand. Colleen McCullough explicithandkind Change image and share on social
The Labour Party of today has fits of horrors of the very thought of somebody like me might saying that they bought in white Australia. But I believe they did. Colleen McCullough australiabuyfit Change image and share on social
I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel. Colleen McCullough chineseexplorequestion Change image and share on social
Once I've got the first draft down on paper then I do five or six more drafts, the last two of which will be polishing drafts. The ones in between will flesh out the characters and maybe I'll check my research. Colleen McCullough charactercheckdraft share on social
I want to know what they look like, their height, and colouring, physique and speech pattens. Colleen McCullough colourheightpatten Change image and share on social
