For whatever reason, from a young age I've always been able to shoot images and cut them together with sound in a way that was very engaging. Colin Trevorrow agecutengage Change image and share on social
I learned on film at NYU. I was probably the last generation that was analog. Anyone who was a year younger than me, it was probably all digital. Colin Trevorrow analogdigitalfilm Change image and share on social
'Jurassic Park' was able to get away with big, dynamic filmmaking that might be out of place in another kind of story. Colin Trevorrow bigdynamicfilmmake Change image and share on social
Small moments can coexist with big moments and even back right up against each other. Colin Trevorrow backbigcoexist Change image and share on social
I love the challenge of having one character who is traveling back in time to find someone. Nowadays, the only way we think to find someone is on Facebook. Colin Trevorrow backchallengecharacter Change image and share on social
Kids go through a stage where they love dinosaurs - boy or girl. Colin Trevorrow boydinosaurgirl Change image and share on social
Intimacy between humans need not be relegated to independent film. Real characters can exist no matter what the scale of a movie is. Colin Trevorrow characterexistfilm Change image and share on social
I'm a 'Star Wars' kid. I'm a 'Back to the Future' kid. I'm a Spielberg kid. Colin Trevorrow backfuturekid Change image and share on social
In high school, I worked at The Video Room in Oakland, California. It had the largest selection of laser discs in the Bay Area. One guy owned all of them. Colin Trevorrow areabaycalifornia Change image and share on social
Like a lot of people my age, I grew up on Amblin movies. They're a part of who I am as a filmmaker and, arguably, as a person. Colin Trevorrow ageamblinarguably Change image and share on social
