Creative writing programmes are not very necessary. They just exist so that people like us can make a living. Chimamanda Ngozi Adichie creativeexistlive Change image and share on social
I have been writing since I was old enough to spell. I have never considered not writing. Chimamanda Ngozi Adichie considerspellwrite Change image and share on social
I have my father's lopsided mouth. When I smile, my lips slope to one side. My doctor sister calls it my cerebral palsy mouth. I am very much a daddy's girl, and even though I would rather my smile wasn't crooked, there is something moving for me about having a mouth exactly like my father's. Chimamanda Ngozi Adichie callcerebralcrook share on social
I realized that I was African when I came to the United States. Whenever Africa came up in my college classes, everyone turned to me. It didn't matter whether the subject was Namibia or Egypt; I was expected to know, to explain. Chimamanda Ngozi Adichie africaafricanclass share on social
Perhaps it is time to debate culture. The common story is that in 'real' African culture, before it was tainted by the West, gender roles were rigid and women were contentedly oppressed. Chimamanda Ngozi Adichie africancommoncontentedly Change image and share on social
In primary school in south-eastern Nigeria, I was taught that Hosni Mubarak was the president of Egypt. I learned the same thing in secondary school. In university, Mubarak was still president of Egypt. I came to assume, subconsciously, that he - and others like Paul Biya in Cameroon and Muammar Gaddafi in Libya - would never leave. Chimamanda Ngozi Adichie assumebiyacameroon share on social
It is easy to romanticize poverty, to see poor people as inherently lacking agency and will. It is easy to strip them of human dignity, to reduce them to objects of pity. This has never been clearer than in the view of Africa from the American media, in which we are shown poverty and conflicts without any context. Chimamanda Ngozi Adichie africaagencyamerican share on social
I ask questions. I watch the world. And what I have discovered is that the parts of my fiction that people most tell me are 'unbelievable' are those that are most closely based on the real, those least diluted by my imagination. Chimamanda Ngozi Adichie basecloselydilute share on social
Non-fiction, and in particular the literary memoir, the stylised recollection of personal experience, is often as much about character and story and emotion as fiction is. Chimamanda Ngozi Adichie characteremotionexperience Change image and share on social
While writing 'Half of a Yellow Sun,' I enjoyed playing with minor things: inventing a train station in a town that has none, placing towns closer to each other than they are, changing the chronology of conquered cities. Yet I did not play with the central events of that time. Chimamanda Ngozi Adichie centralchangechronology share on social