I started radio in 1950 on the Lone Ranger radio program, a dramatic show that emanated from Detroit when I was 18 years old and just beginning college. I did that for a couple of years. Casey Kasem begincollegecouple Change image and share on social
We gave the show away and in return, we received a certain number of minutes per hour for the three-hour show that we could sell to Madison Avenue. One of the first sponsors was MGM Records. Casey Kasem avenuegivehour Change image and share on social
When I first heard rap, I wasn't quick to be critical. I couldn't understand what they were saying, but I had a feeling it was a reflection of what's been happening in the ghetto. Casey Kasem criticalfeltghetto Change image and share on social
Even when I do commercials, I try to tell a story about the product. With music, I try to tell the story of the person's struggle for success. And I believe every word I say. I never read anything on the air I don't believe in. I think people sense that about me, and they respond to it. Casey Kasem aircommercialmusic share on social
Despite all the technical improvements, it still boils down to a man or a woman and a microphone, playing music, sharing stories, talking about issues - communicating with an audience. Casey Kasem audienceboilcommunicate Change image and share on social
Anytime in radio that you can reach somebody on an emotional level, you're really connecting. Casey Kasem anytimeconnectemotional Change image and share on social
I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting. Casey Kasem anytimeconnectdedication Change image and share on social
