I've done a lot of performance practice, Baroque playing, and some of the joy and the challenge of it is figuring out what the composer intended... You have music of the 17th century - it's all whole notes and half notes. But inside of that, there are so many things that one can do, at least according to what we know about performance practice. Caroline Shaw 17thbaroquecentury share on social
I was curious about experimenting with different colors - kind of like having an expanded orchestra. Suddenly, instead of just writing for strings, you can add bassoon and oboe and brass. I like these extreme differences in sounds right next to each other. Caroline Shaw addbassoonbras share on social
There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work. Caroline Shaw avantbitecage share on social
Living in New York City, you have to keep trying to do a lot of things. Caroline Shaw citylivelot Change image and share on social
Every day, you have to make three hours of music, just randomly improvising, and that's a great way to weed stuff out. Caroline Shaw daygreathour Change image and share on social
It was sort of an experiment to try to leave the violin. Can I be a real person without this thing? It was a big part of my identity. Caroline Shaw bigexperimentidentity Change image and share on social