People like Frank Zappa and Bryan Ferry knew we could pick and choose from the history of music, stick things together looking for friction and energy. They were more like playwrights; they invented characters and wrote a life around them. Brian Eno bryancharacterchoose share on social
Musicians are there in front of you, and the spectators sense their tension, which is not the case when you're listening to a record. Your attention is more relaxed. The emotional aspect is more important in live music. Brian Eno aspectattentioncase share on social
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular. Brian Eno historyintrusionmusic Change image and share on social
The earliest paintings I loved were always the most non-referential paintings you can imagine, by painters such as Mondrian. I was thrilled by them because they didn't refer to anything else. They stood alone, and they were just charged magic objects that did not get their strength from being connected to anything else. Brian Eno chargeconnectearly share on social
Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better. Brian Eno developmentfeltfueled Change image and share on social
Well, there are some things that I just can't get out of my head, and they start to annoy me after a while. Sometimes they're of my own creation, as well - and they're just as annoying. It's not only other people's ear worms that bug me, it's my own, as well. Brian Eno annoybugcreation share on social
I wanted to get rid of the element that had been considered essential in pop music: the voice. Brian Eno considerelementessential Change image and share on social
In the 19th century, a lot of people were against outlawing child labour, because to do so would be against the very foundations of a free market economy: 'These children want to work, these people want to employ them... what is your problem? It's not as if anyone has kidnapped them...' Brian Eno 19thcenturychild share on social
Zappa was very technical and impressed by things that were musically challenging - weird time signatures, strange keys, awkward chord sequences. Zappa was important to me as an example of everything I didn't want to do. I'm very grateful to him, actually. Brian Eno awkwardchallengechord share on social
Every band I've worked with also wants to be countercultural in the sense that they want to feel that they've gone somewhere that nobody else has been. Brian Eno bandcounterculturalfeel Change image and share on social