Top 28 Quotes by Blair Underwood

The hope is they would like to bring it to Broadway next year, so we'll see that's to come in the end of the finance year and everybody else and also real estate and what theaters are available at the time but I would like to come back with it.

Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them.

In terms of the black female audience, usually if you're true to that character but more so in your body of work if you've proven that you love your sisters and you proven you will come back home like in 42.4% they'll give you a pass when you jump ship. I hear it all the time.

Sex in the City was a different kind of phenomenon because of the show itself is a phenomenon and to me that's successful because to resonate with women across the board for six years and have only one African-American actor pass through for one episode.

I'd rather say no and have said no and do say no often. I walk away from projects if it doesn't feel right; if it's not the right team of people pulling in together or if the script isn't right. It could be a great idea but the script doesn't work.

My Soul to Keep is the ultimate love story with a black man and a black woman. I call it the ultimate love story. It's about an immortal. We're shooting for this Fall and that's been a six year development right there.

I haven't done a lot of things in my career that my kids can watch, because they are 8, 6 and 3, and they are pretty young; so given the concepts that the film was about a superhero, it was a black superhero, and it was a father and son type partnership.

It could be a great script but the director is not the right person for me to work for at this time. So there are a lot of elements that come into play and a lot of variables, but more than anything it's got to be a great script and a great character.