'Dreamers' was because I really wanted to go back after I heard so much nonsense about '68. I wanted to go back to what for me was '68, when young people thought that they could change the world. Bernardo Bertolucci backchangedreamer Change image and share on social
English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it. Bernardo Bertolucci dialogueenglishfrench Change image and share on social
I lived in a kind of dream of communism. Bernardo Bertolucci communismdreamkind Change image and share on social
You live day by day. You can't build your life. Bernardo Bertolucci builddaylife Change image and share on social
I don't see my movies. When you ask me about one of my movies, it just goes in my memory because maybe sometimes I confuse one for another. I think all movies are like sequences, which is the body of my work. Bernardo Bertolucci bodyconfusememory share on social
I don't film messages. I let the post office take care of those. Bernardo Bertolucci carefilmmessage Change image and share on social
I left the ending ambiguous, because that is the way life is. Bernardo Bertolucci ambiguousendleave Change image and share on social
Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere... terrible! In London, it is the same. Every pavement is uneven. Bernardo Bertolucci cobblecommuteeasy Change image and share on social
I started in '69 to have psychoanalysis, and I realised very soon that I was changing, and that's I think why my movies were changing. They became much more open to dialogue. Bernardo Bertolucci changedialoguemovie Change image and share on social
English dialogue is the best in the world. So dry and direct. The Italian language is beautiful, but it is too literary. Bernardo Bertolucci beautifuldialoguedirect Change image and share on social