If you call attention to yourself at the expense of the song, that's the cardinal sin. Benmont Tench attentioncallcardinal Change image and share on social
Whoever hired me might've just heard 'Refugee.' Well, I'm not the secret to 'Refugee.' The secret to 'Refugee' is the song. But if somebody really good calls me up to play on something because they like the way I played on 'Refugee,' then I wind up playing on another really good song. Benmont Tench callgoodhave share on social
I loved Mal Evans holding one note down on You Won't See Me from Rubber Soul. Benmont Tench evanholdlove Change image and share on social
I'm playing 10 feet from Mike Campbell every night. I look across the stage, there's Howie. Tom's in the middle and we're playing all this stuff I love. It's great. Benmont Tench campbellfootgreat Change image and share on social
In Mudcrutch we all wrote songs, and when it got to the focus on Tom and the Heartbreakers, I kept writing songs, but it wasn't anything that was up the Heartbreakers tree, I didn't think - and I don't think they did, either. So I kept writing songs for the hell of it, but I didn't want to make a record just for the sake of making a record. Benmont Tench focusheartbreakerhell share on social
Listen to the Beatles' 'Things We Said Today.' Ringo Starr does not play a fill in the entire song. It doesn't need it. 'A Day In the Life' has gorgeous fills, but there, the song needs it. When I play on any record, I'm striving to get where Ringo is. You play what doesn't take you out of the song. Benmont Tench beatlesdayentire share on social